23.12.19

DJ Brisk Live @ Hardcore Radio 22.12.2019



Watch & listen live every Sunday at 7pm AEST//10am GMT//11am CET at www.twitch.tv/djbrisk and www.hardcoreradio.nl
Replays at:
www.facebook.com/hardcoreradio
www.facebook.com/djbriskfanpage
www.youtube.com/briskdj
www.soundcloud.com/djbrisk

29.11.19

Muzik Magazine 1995 - 2003


Muzik was created by two former Melody Maker journalists, Push and Ben Turner. Push was the editor of Muzik from its launch until he left the magazine in 1998, at which point Turner took over as editor. The title was subsequently edited by Conor McNicholas, who went on to edit NME.
Aimed at serious dance music fans rather than weekend clubbers, Muzik's writers included a number of well-known DJs, including Kris NeedsRob da BankSpoony, Terry Farley, Bob Jones, Jonty Skrufff and Dave Mothersole. The magazine sold over 50,000 copies a month at its peak, but was closed down by IPC Media just one issue short of its 100th edition.
Download all in pdf and Info: 

27.11.19

Bleep Radio #426 w/ Trevor Wilkes


Livestreams Every Friday @ Noon EST (-5 GMT) live-stream @ https://www.facebook.com/FitMBleepRadio/
I live in Canada (Hamilton, Ontario), but all the music I like and the people associated with it are far away. Everything I do is an attempt to make the world a smaller place for like minded people.
www.fun-in-the-murky.com

9.11.19

Amnesys Live @ Ground Zero Festival 2016



Space Ibiza 27 Years of Clubbing History ( 2016)


Space Ibiza is the most awarded club in the history, a party icon. It revolutionized the clubbing scene creating the first after-hour in the World. Nowadays, Space Ibiza has 5 rooms, 3 of them are partially outdoor: Sunset Terrace, Premier Etage and El Salón. Main Room and the legendary Terrace complete the structure of this famous club, known by its fantastic atmosphere and big productions. The gargantuan Opening and Closing parties also feature a special outdoor stage.

24.10.19

Aphex Twin – Live London 14/09/19

Tracklist:

0:00:00-0:02:31 sounds, intro

19.10.19

Thunderdome Never Dies - Official trailer


This is the official trailer for Thunderdome Never Dies! From November 14 in cinemas.
A movie by Deep Tought Prodcutions, 2Cfilm and JustFilmNL about the history and comeback of the most legendary party in the Netherlands. A party that started with friends and grew into the founder of the dance scene.


More info at www.thunderdome.com

18.10.19

Uniform: The Dress Code of Dutch Hardcore Culture


Australians, Air Max en bald heads. Characteristics that obviously belong to the biggest youth culture we know in the Netherlands. We are talking about the gabbers, who still get to deal with general prejudice as of today. The new gabber documentary Uniform – The Dress Code Of Dutch Hardcore Culture covers the entire movement and we couldn’t have told you it any better. Check out the full docu down below.
At some parties you’ll still see all colors of the rainbow in Australian suits and Air Maxes, but back in the day that was pretty normal. The timeline of the gabbers gets addressed completely, with Francois Maas (Thunderdome), Drokz and Amada among others are featured in the video.
By: Wouter De Vink @
http://www.hardcorenews.nl/en/the-new-gabber-documentary-uniform-is-a-must-see-for-every-hardcore-fanatic/

15.10.19

Thunderdome - 25 Years of Hardcore ( Live 10+ Hours Transmition )


Thunderdome - 25 Years of Hardcore ( Live 10+ Hours Transmition )

Amada - 16:22
Decipher - 1:02:35
The Melodyst -1:47:45
N-Vitral - 2:49:15
Korsakoff and Evil Activities - 3:18:50
Promo - 4:21:04
Neophyte, Nosferatu, Tha Playah and Furyan - 5:16:35
Noize Suppressor vs Mad Dog - 6:18:00
Unexist - 7:17:40
Destructive Tendecies - 7:51:00
Dr. Peacock - 8:48:30
Partyraiser vs Drokz - 9:19:40

We are thrilled to finally announce the biggest hardcore event of 2017. On the 28th of October, Thunderdome will celebrate 25 years of hardcore in the Jaarbeurs in Utrecht! We’re bringing an ode to the biggest youth culture the Netherlands has ever known and rest assured we’ll make every single corner of the Jaarbeurs shake until the early morning.

The Final Exam in the RAI in 2012 seemed to be a legendary memory we would carry in our hearts for decades. Today, almost five years later, our dedicated fans and the growing desire for a comeback forced us to pick up where we left and show the world how it’s done. This will be the biggest, hardcore party of 2017. Make sure you’re part of it.

Thunderdome is still the most powerful hardcore brand alive, represented in countless CD cabinets and with merchandise still worn by young and old. Ever since the kick-off in 1992 we have been dominating the hardcore scene.

This night is meant to celebrate 25 years of hardcore. Together we have built an empire over the past two-and-a-half decades, an empire that deserves to be celebrated in the most honourable way possible. We would love to take this responsibility and invite you to join us at ‘Thunderdome: 25 years of hardcore’

Dive into the hardcore world of Thunderdome and help us write hardcore history once more. No excuses, no prisoners. Only hardcore to the mother*cking bone!

3.10.19

Maestro (2003)

Maestro, tells the story of how a group of people found refuge and a call for life outside the mainstream in New York City. What evolved was a scene that set the groundwork for what was to come in dance music culture later, starting first with House and later Techno. Maestro gives a rare insight into those secret underground beginnings, which thirty years later has grown into a huge worldwide industry.
It’s the first time the genesis of electronic dance music is told  in a motion picture. Included in the film are pioneer dance music DJs and producers, “founding fathers”, its center being Larry Levan, as well as high-profile DJs of today. We are shown the makings of the legendary Paradise Garage, of which many claim to have been the blueprint for modern dance clubs. Opting for a more personal and candid approach, Maestro shows the true history of the people through a realistic creative storyline. Tracing the underground’s dance origin, Maestro brings out a real understanding of this intense lifestyle, and the lives the founders lived and died for. Press play, sit back and see how it all began.

Fuckparade 2019 - Berlin



The Fuckparade is an annual summer technoparade in Berlin.[1] The event began in 1997 as a demonstration against the increasing commercialisation of culture and public life and the misuse of the right of assembly by purely commercial ventures, in particular the Love Parade.[1][2][3] The event has had problems with the authorities since 2001, but in 2007 the Federal Administrative Court of Germany decided that it met the definition of a demonstration.[4]

24.7.19

Better Living Through Circuitry ( 1999 )

Better Living Through Circuitry is a 1999 documentary directed by Jon Reiss about the Electronic Dance movement of the 90's. The documentary is considered the first full-length film that goes behind the Electronic Dance scene and uncovers the culture it has spawned. The film presented aspects of rave culture such as empowerment through technology, the DIY (do-it-yourself) ethic, and the flowering of a new spirituality embracing transcendence through sound and rhythm. A cross-section of the techno subculture is represented as ravers, DJs and musicians speak for themselves about their music and ideals.

American Massive - Sex, Drugs, Rave & Roll ( Moonshine Music - 2000 )


American Massive is a real eye opener to the American Rave scene. This film was conceived by Steve and Jon Levy, owners of America's premiere electronic music label, Moonshine Music, and brought to life by up-and-coming Los Angeles director Thomas Trail. The concept was to document a brief moment from this amazing movement.

Shot on the Moonshine Overamerica 2000 tour, American Massive shows you the rave scene from its participants' perspective: the DJ's, the promoters, the artists, and the kids. 24 Cities, 13'000 miles in 32 days with some of America's biggest names in electronic music, including

AK1200, Christopher Lawrence, Carl Cox, Cirrus, D:Fuse, Dara, Micro, Frankie Bones, Keokit

What happens along the way is part 'Spinal Tap', part 'COPS' but mostly 'Rave&Roll'

16.7.19

DJ Iraí Campos - História Completa 2014



Do Flash Back à Música Eletrônica, é assim que o DJ Iraí Campos se auto intitula - “Dj Festa”, pois só determina seu repertório após observar a Pista, e aos poucos ir  descobrindo qual o estilo mais agrada. Seu estilo inconfundível vem desde os anos 70 agitando gerações.​

​Aos 16 anos, conseguiu seu primeiro espaço como DJ, numa Casa da Zona Norte de São Paulo o “Tio Sam Club”, e depois pulou para uma das Maiores Casas da Época a “Toco”. Inaugurou Califórnia Dreams (em Santana) tocando aos sábados; na mesma época, teve sua primeira experiência em um Clube Prive - Lonorabille Societá,  época essa em que Iraí Campos tocava de segunda a sexta, e aos Domingos fazia a Domingueira da Toco em São Caetano - resumindo: tocava todos os dias da semana sem descanso, e ainda fazia a programação da Rádio Bandeirantes FM - o que lhe rendeu a primeira matéria na revista Veja SP. Ganhou notoriedade, e se apresentou nas principais Casas Noturnas do País, tendo tocado até no Japão. Como consequência, iniciou seu trabalho também nas principais rádios de São Paulo,  como: Bandeirantes, Jovem Pan FM, Pool, Nova FM, Transamérica e Manchete; e atualmente tem o programa todas as Sextas às 8h30 da manhã na 97FM com o programa Energia na Véia. E por dez anos, todos os Sábados às 22h na Alpha FM 101.7, comandou o programa Alpha Disco Classics. Atualmente, o conceituado DJ transmite as mixagens Ao Vivo para a rádio Jovem Pan todos os sábados a partir das 22h diretamente pela The History.

Foi o primeiro DJ do Brasil, a produzir um “Remix Nacional” - “Louras Geladas”, da banda RPM, em parceria com os DJ’s Grego e Julinho Mazzei; e em trabalho solo, os principais nomes da música Pop no Brasil: Marina Lima, Tim Maia, Kid Abelha, Lulu Santos e Titãs, que rendeu o primeiro remix nacional produzido nos Estados Unidos ao lado de Tuta Aquino. Com o lançamento da série - O Som das Pistas - apresentou-se em Casas Noturnas de todo o Brasil, fazendo festas de lançamento do seu vinil, o seu CD, O Som Das Pistas.

Em 1987, fundou a DJ Shopping, a primeira loja especializada em equipamentos para DJ’s no Brasil. A DJ Shopping foi o grande ponto de encontro dos Disc Jockeys mais famosos do Brasil, e também abastecendo as Casas Noturnas de todo o país com as últimas novidades em vinil. Em 1988, Irai criou também o primeiro curso para DJ’s do país, curso esse que formou muitos profissionais que hoje são destaque no meio. Por ser o primeiro curso do país, o curso da Fieldzz na época ganhou inúmeras matérias nos principais veículos de comunicação, como Fantástico, Jornal da Globo, Jornal Estado de São Paulo, Folha de São Paulo, Revista Veja... Em 1994, Irai foi convidado pela BMG Ariola, a ser sócio em uma gravadora associada à BMG, e então surgiu a Fieldzz Discos. Depois passou a ser distribuída pela Universal Music.

Iraí Campos já realizou inúmeros Eventos Corporativos, dentre alguns citados:  Agência F/Nazca, B/Ferraz, 360º Graus,Itau/ Unibanco, Claro, Hypercard, Tim,  entre tantos outros.

Desde 2008, é Sócio-Proprietário da The History, no qual Irai Campos agita os sucessos da Disco Music, 80 / 90, Pop Rock e muitas surpresas. ​
Em jul/2010 recebeu o convite da REDE GLOBO para integrar a Banda do Domingão do Faustão, permanecendo até Jan/2011. De jan a Mai/2012, fez parte da Equipe do Programa Domingo Legal apresentado por Celso Portiolli, todos os Domingos no SBT. E em Fev/2013 comandou o quadro Desafio Musical do Programa do GUGU, aos domingos na Rede Record, permanecendo até Jun/2013.

Iraí Campos inaugurou em  Jun/2013 em São Paulo, a Casa Noturna, a Le Rêve Club, enfatizando seu significado - "O Sonho", convida seus frequentadores a entrarem num mundo de magia, sofisticação e boa música. Seus dias de abertura, serão Sexta e Sábado, a partir das 22h00.  

E Em 2014 Inaugurou o Espaço Th com capacidade para ate 1000 Pessoas focado em Eventos corporativos e Sociais.

4.7.19

The Prodigy ‎– Music For The Jilted Generation 25 Years



Music for the Jilted Generation is the second studio album by English electronic music group The Prodigy. It was first released on 4 July 1994 by XL Recordings in the United Kingdom and by Mute Records in the United States. Just as on the group’s debut album Experience (1992), Maxim Realitywas the only member of the band's lineup—besides Liam Howlett—to contribute to the album.
A remastered and expanded edition of the album titled More Music for the Jilted Generation was released in 2008.[1]

Music for the Jilted Generation uses elements of rave,[2] breakbeat techno,[2] techno,[3] hardcore techno,[4] and oldskool jungle.[4]
The album is largely a response to the corruption of the rave scene in Britain by its mainstream status as well as Great Britain's Criminal Justice and Public Order Act 1994, which criminalised raves and parts of rave culture.[2] This is exemplified in the song "Their Law" with the spoken word intro and the predominant lyric, the "Fuck 'em and their law" sample. Many years later, after the controversy died down, Liam Howlett derided the title of the album, which he referred to as "stupid", and maintained that the album was never meant to be political in the first place.[5]
Many of the samples featured on the album are sound clips from, or inspired by, movies. "Intro" features a sample that sounds like it's from the film The Lawnmower Man, however it is an American voice on "Intro" instead of Pierce Brosnan's English accent and the words are subtly different (on "Intro" the words are "So, I've decided to take my work back underground, to stop it falling into the wrong hands",[6] but in The Lawnmower Man the line is "So I'm taking my work underground, I can't let it fall into the wrong hands again"[7]). "Their Law" begins with a rephrased version of a quote from Smokey and the Bandit.[8] Jackie Gleason's exasperated line "What we're dealing with here is a complete lack of respect for the law" becomes "what we're dealing with here is a total lack of respect for the law". "Full Throttle" contains a reverse sample from the original Star Wars movie, and "The Heat (The Energy)" features a sample from Poltergeist III.[5] In "Claustrophobic Sting", a voice whispers "My mind is glowing",[9] similar to HAL 9000 saying "My mind is going"[10] in the film 2001: A Space Odyssey.
When Liam Howlett came to the cutting room for the final phase in the album production, he realised that all the tracks he had originally planned for wouldn't fit onto a CD, so "One Love" had to be edited which resulted in a cut of approximately 3 minutes and 53 seconds, "The Heat (The Energy)" was slightly cut, and the track called "We Eat Rhythm" was left out. "We Eat Rhythm" was later released on a free cassette with Selectmagazine in October 1994 entitled Select Future Tracks. Liam Howlett later asserted that he felt the edit of "One Love" and "Full Throttle" could have been dropped from the track listing.[5]
"The Narcotic Suite" includes live flute parts, played by Phil Bent. Originally, Howlett asked Ian Anderson of Jethro Tull to play this part or to give permission to use samples of one of his flute parts; according to Anderson, the letter from Howlett got stuck in his office and when Ian found it, the album was already released.

Samples

Besides the movie samples described above, Liam Howlett also employed a lot of musical material from other artists:[11]
  • "Break and Enter" contains sample from Baby D's "Casanova". The latter was also remixed by Liam.;
  • "Their Law" contains sample from "Drop That Bassline" by Techno Grooves.
  • "Voodoo People" contains sample from "You're Starting Too Fast" by Johnny Pate and "The Shalimar" by Gylan Kain. The guitar riff is based on "Very Ape" by Nirvana and is played by Lance Riddler.
  • "The Heat (The Energy)" contains sample from "Why'd U Fall" by Lil Louis, "Thousand" by Moby and 2-Mad's "Don't Hold Back The Feeling".
  • "Poison" contains sample from "It's a New Day" by Skull Snaps and Bernard "Pretty" Purdie's "Heavy Soul Singer" .
  • "No Good (Start The Dance)" contains sample from "No Good for Me" by Kelly Charles and "Funky Nassau" by Bahamian funk group The Beginning of the End.
  • "One Love" uses the "Arabic Muezzin" sample from the ethnic vocals section of a Zero G sample CD by "Time + Space" Records. The same sample was also used in "Everybody Say Love" by "The Magi & Emanation" which was remixed by Liam Howlett.[12]
  • "3 Kilos", Part One of The Narcotic Suite, is based on a riff sampled from Bernard "Pretty" Purdie's Good Livin' (Good Lovin')
  • "Skylined", Part Two of The Narcotic Suite, features sample from a piece of musical score by Mark Snow from The X-Files episode "Deep Throat" (season 1, episode 2).[13]

R.I.P. Keith. 

 #KeefFlint69to19