24.7.19
Better Living Through Circuitry ( 1999 )
American Massive - Sex, Drugs, Rave & Roll ( Moonshine Music - 2000 )
American Massive is a real eye opener to the American Rave scene. This film was conceived by Steve and Jon Levy, owners of America's premiere electronic music label, Moonshine Music, and brought to life by up-and-coming Los Angeles director Thomas Trail. The concept was to document a brief moment from this amazing movement.
Shot on the Moonshine Overamerica 2000 tour, American Massive shows you the rave scene from its participants' perspective: the DJ's, the promoters, the artists, and the kids. 24 Cities, 13'000 miles in 32 days with some of America's biggest names in electronic music, including
AK1200, Christopher Lawrence, Carl Cox, Cirrus, D:Fuse, Dara, Micro, Frankie Bones, Keokit
What happens along the way is part 'Spinal Tap', part 'COPS' but mostly 'Rave&Roll'
20.7.19
17.7.19
16.7.19
DJ Iraí Campos - História Completa 2014
Do Flash Back à Música Eletrônica, é assim que o DJ Iraí Campos se auto intitula - “Dj Festa”, pois só determina seu repertório após observar a Pista, e aos poucos ir descobrindo qual o estilo mais agrada. Seu estilo inconfundível vem desde os anos 70 agitando gerações.
Aos 16 anos, conseguiu seu primeiro espaço como DJ, numa Casa da Zona Norte de São Paulo o “Tio Sam Club”, e depois pulou para uma das Maiores Casas da Época a “Toco”. Inaugurou Califórnia Dreams (em Santana) tocando aos sábados; na mesma época, teve sua primeira experiência em um Clube Prive - Lonorabille Societá, época essa em que Iraí Campos tocava de segunda a sexta, e aos Domingos fazia a Domingueira da Toco em São Caetano - resumindo: tocava todos os dias da semana sem descanso, e ainda fazia a programação da Rádio Bandeirantes FM - o que lhe rendeu a primeira matéria na revista Veja SP. Ganhou notoriedade, e se apresentou nas principais Casas Noturnas do País, tendo tocado até no Japão. Como consequência, iniciou seu trabalho também nas principais rádios de São Paulo, como: Bandeirantes, Jovem Pan FM, Pool, Nova FM, Transamérica e Manchete; e atualmente tem o programa todas as Sextas às 8h30 da manhã na 97FM com o programa Energia na Véia. E por dez anos, todos os Sábados às 22h na Alpha FM 101.7, comandou o programa Alpha Disco Classics. Atualmente, o conceituado DJ transmite as mixagens Ao Vivo para a rádio Jovem Pan todos os sábados a partir das 22h diretamente pela The History.
Foi o primeiro DJ do Brasil, a produzir um “Remix Nacional” - “Louras Geladas”, da banda RPM, em parceria com os DJ’s Grego e Julinho Mazzei; e em trabalho solo, os principais nomes da música Pop no Brasil: Marina Lima, Tim Maia, Kid Abelha, Lulu Santos e Titãs, que rendeu o primeiro remix nacional produzido nos Estados Unidos ao lado de Tuta Aquino. Com o lançamento da série - O Som das Pistas - apresentou-se em Casas Noturnas de todo o Brasil, fazendo festas de lançamento do seu vinil, o seu CD, O Som Das Pistas.
Em 1987, fundou a DJ Shopping, a primeira loja especializada em equipamentos para DJ’s no Brasil. A DJ Shopping foi o grande ponto de encontro dos Disc Jockeys mais famosos do Brasil, e também abastecendo as Casas Noturnas de todo o país com as últimas novidades em vinil. Em 1988, Irai criou também o primeiro curso para DJ’s do país, curso esse que formou muitos profissionais que hoje são destaque no meio. Por ser o primeiro curso do país, o curso da Fieldzz na época ganhou inúmeras matérias nos principais veículos de comunicação, como Fantástico, Jornal da Globo, Jornal Estado de São Paulo, Folha de São Paulo, Revista Veja... Em 1994, Irai foi convidado pela BMG Ariola, a ser sócio em uma gravadora associada à BMG, e então surgiu a Fieldzz Discos. Depois passou a ser distribuída pela Universal Music.
Iraí Campos já realizou inúmeros Eventos Corporativos, dentre alguns citados: Agência F/Nazca, B/Ferraz, 360º Graus,Itau/ Unibanco, Claro, Hypercard, Tim, entre tantos outros.
Desde 2008, é Sócio-Proprietário da The History, no qual Irai Campos agita os sucessos da Disco Music, 80 / 90, Pop Rock e muitas surpresas.
Em jul/2010 recebeu o convite da REDE GLOBO para integrar a Banda do Domingão do Faustão, permanecendo até Jan/2011. De jan a Mai/2012, fez parte da Equipe do Programa Domingo Legal apresentado por Celso Portiolli, todos os Domingos no SBT. E em Fev/2013 comandou o quadro Desafio Musical do Programa do GUGU, aos domingos na Rede Record, permanecendo até Jun/2013.
Iraí Campos inaugurou em Jun/2013 em São Paulo, a Casa Noturna, a Le Rêve Club, enfatizando seu significado - "O Sonho", convida seus frequentadores a entrarem num mundo de magia, sofisticação e boa música. Seus dias de abertura, serão Sexta e Sábado, a partir das 22h00.
E Em 2014 Inaugurou o Espaço Th com capacidade para ate 1000 Pessoas focado em Eventos corporativos e Sociais.
4.7.19
The Prodigy – Music For The Jilted Generation 25 Years
Music for the Jilted Generation is the second studio album by English electronic music group The Prodigy. It was first released on 4 July 1994 by XL Recordings in the United Kingdom and by Mute Records in the United States. Just as on the group’s debut album Experience (1992), Maxim Realitywas the only member of the band's lineup—besides Liam Howlett—to contribute to the album.
A remastered and expanded edition of the album titled More Music for the Jilted Generation was released in 2008.[1]
Music for the Jilted Generation uses elements of rave,[2] breakbeat techno,[2] techno,[3] hardcore techno,[4] and oldskool jungle.[4]
The album is largely a response to the corruption of the rave scene in Britain by its mainstream status as well as Great Britain's Criminal Justice and Public Order Act 1994, which criminalised raves and parts of rave culture.[2] This is exemplified in the song "Their Law" with the spoken word intro and the predominant lyric, the "Fuck 'em and their law" sample. Many years later, after the controversy died down, Liam Howlett derided the title of the album, which he referred to as "stupid", and maintained that the album was never meant to be political in the first place.[5]
Many of the samples featured on the album are sound clips from, or inspired by, movies. "Intro" features a sample that sounds like it's from the film The Lawnmower Man, however it is an American voice on "Intro" instead of Pierce Brosnan's English accent and the words are subtly different (on "Intro" the words are "So, I've decided to take my work back underground, to stop it falling into the wrong hands",[6] but in The Lawnmower Man the line is "So I'm taking my work underground, I can't let it fall into the wrong hands again"[7]). "Their Law" begins with a rephrased version of a quote from Smokey and the Bandit.[8] Jackie Gleason's exasperated line "What we're dealing with here is a complete lack of respect for the law" becomes "what we're dealing with here is a total lack of respect for the law". "Full Throttle" contains a reverse sample from the original Star Wars movie, and "The Heat (The Energy)" features a sample from Poltergeist III.[5] In "Claustrophobic Sting", a voice whispers "My mind is glowing",[9] similar to HAL 9000 saying "My mind is going"[10] in the film 2001: A Space Odyssey.
When Liam Howlett came to the cutting room for the final phase in the album production, he realised that all the tracks he had originally planned for wouldn't fit onto a CD, so "One Love" had to be edited which resulted in a cut of approximately 3 minutes and 53 seconds, "The Heat (The Energy)" was slightly cut, and the track called "We Eat Rhythm" was left out. "We Eat Rhythm" was later released on a free cassette with Selectmagazine in October 1994 entitled Select Future Tracks. Liam Howlett later asserted that he felt the edit of "One Love" and "Full Throttle" could have been dropped from the track listing.[5]
"The Narcotic Suite" includes live flute parts, played by Phil Bent. Originally, Howlett asked Ian Anderson of Jethro Tull to play this part or to give permission to use samples of one of his flute parts; according to Anderson, the letter from Howlett got stuck in his office and when Ian found it, the album was already released.
Samples
Besides the movie samples described above, Liam Howlett also employed a lot of musical material from other artists:[11]
- "Break and Enter" contains sample from Baby D's "Casanova". The latter was also remixed by Liam.;
- "Their Law" contains sample from "Drop That Bassline" by Techno Grooves.
- "Voodoo People" contains sample from "You're Starting Too Fast" by Johnny Pate and "The Shalimar" by Gylan Kain. The guitar riff is based on "Very Ape" by Nirvana and is played by Lance Riddler.
- "The Heat (The Energy)" contains sample from "Why'd U Fall" by Lil Louis, "Thousand" by Moby and 2-Mad's "Don't Hold Back The Feeling".
- "Poison" contains sample from "It's a New Day" by Skull Snaps and Bernard "Pretty" Purdie's "Heavy Soul Singer" .
- "No Good (Start The Dance)" contains sample from "No Good for Me" by Kelly Charles and "Funky Nassau" by Bahamian funk group The Beginning of the End.
- "One Love" uses the "Arabic Muezzin" sample from the ethnic vocals section of a Zero G sample CD by "Time + Space" Records. The same sample was also used in "Everybody Say Love" by "The Magi & Emanation" which was remixed by Liam Howlett.[12]
- "3 Kilos", Part One of The Narcotic Suite, is based on a riff sampled from Bernard "Pretty" Purdie's Good Livin' (Good Lovin')
- "Skylined", Part Two of The Narcotic Suite, features sample from a piece of musical score by Mark Snow from The X-Files episode "Deep Throat" (season 1, episode 2).[13]
R.I.P. Keith.
#KeefFlint69to19
1.7.19
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